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All Bad

by Nick Shoulders

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  • Record/Vinyl + Digital Album

    Includes unlimited streaming of All Bad via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Record/Vinyl + Digital Album

    Includes unlimited streaming of All Bad via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Compact Disc (CD) + Digital Album

    4-panel digipak with fold out lyric/art booklet

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  • T-Shirt/Shirt

    printed on 100% cotton Canvas 3001 shirts
    design by Nick Shoulders
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      $30 USD or more 

     

  • T-Shirt/Shirt

    Printed on Gildan 100% Cotton Shirts
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Cassette + Digital Album

    Includes unlimited streaming of All Bad via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • "All Bad" Sticker

    3x6" Vinyl Sticker
    Design by Nick Shoulders

    Sold Out

1.
2.
Blue, blue driver, just driving along Searching this endless highway for a shoulder to cry on For a shoulder to cry on It don’t make no difference, which way you go I’m so doggone lonesome, anywhere I go Anywhere I go Foot upon the throttle, watching the old smoke roll Looking in the rearview mirror for the highway patrol For the highway patrol I made my coffee stop, and everything was wrong The little waitress that I love, she done come and gone She done come and gone That big old lonesome moon, and the stars above Carry me and my old truck to the one I love To the one I love Foot upon the throttle, watching the old smoke roll Looking in the rearview mirror for the highway patrol For the highway patrol I’m looking down the highway, far as I can see There ain't nobody coming, just my old truck and me My old truck and me Foot upon the throttle, watching the old smoke roll Looking in the rearview mirror for the highway patrol For the highway patrol
3.
All Bad 03:26
Amongst the cypress and quartz I roamed I learned to wince at the church bell’s toll Preferred katydids and thunder’s roll It never felt all bad Wanted for nothin with a bad luck streak I turned a rock over in every creek Whistled strong because my body was weak I didn’t feel all bad Can’t complain, cuz who would listen? You wouldn’t envy my position Engineered imploding or the way that she goes Only my eyes will glisten Moved to a hollow at the plateau’s cusp I talked to barred owls and bats at dusk Cornered by cul de sacs and craving the rust It kinda felt all bad I grew a little into deafening rage Every hometown is a well built cage Be it high iron, highway or stage Don’t let it be all bad I’ve been indebted to a surgeon’s blade Probation officers and nerves that frayed Only the choiceless every gladly stayed Refuse to be all bad Can’t complain, cuz who would listen? You wouldn’t envy my position Engineered imploding or the way that she goes Only my eyes will glisten We bury friends and try to share our pain November hurricanes and acid rain They built to burn but we will live to maintain Because it ain't all bad
4.
Sometimes we wait, to pull in our slack Sometimes we wait, because of barbs in our backs But for all the bait, that we take in the end Every love has a linger every river a bend There’ve been times I’ve been a large-mouth bastard I’ve been blue and bull-headed you see I’ve been crappie to some of my sweethearts And I’m hook line and sinker for thee Oh I am hook line and sinker for thee Some folks find love, when they cast a wide net Some folks find joy, in their tales of regret But for the rest, we will just stay afloat While we wade for our answers and rock every boat There’ve been times I’ve been a large-mouth bastard I’ve been blue and bull-headed you see I’ve been crappie to some of my sweethearts And I’m hook line and sinker for thee Oh I am hook line and sinker for thee
5.
My heart flutters for you like a tattered cloth The sputtering flames of your passion don’t even draw moths Is sanity simply dedication’s cost? Or has the reason we chose to be here just been lost? If it's the best we can get, why am I tryna love you? If it's a sure-fire bet I’d do most things for you And lest I forget, you can do better its true Just like every sun sets, it's the best we can get My body burns for you like a day old fire You work endlessly to find things in me to admire And just when we thought, we couldn’t grow more cold We buckle, we crumble, we cave, but we never fold If it's the best we can get, why am I tryna love you? If it's a sure-fire bet I’d do most things for you And lest I forget, you can do better its true Just like every sun sets, it's the best we can get
6.
Toast First 04:17
Didn’t burn the toast, the potatoes cooked through Made up some beans like in england they do The eggs had a good run, I guess we did too If I had known what to say, I’d have said it to you Give a name to a feeling just to try and explain But even then there’s no good way to say Without giving more credit to words than they’re due If I had known what to say, I’d have said it to you And I’ve got a passtime, lack of something to do I tried forgetting as often as jesus got rocks in his shoes I’m quiet in my worries and I act out in pride An old love takes the long road from crossing my mind Just cause you didn’t know it, doesn’t make it new news If I had known what to say, I’d have said it to you And I’ve got a passtime, lack of something to do I tried forgetting as often as jesus got rocks in his shoes Didn’t burn the toast, the potatoes cooked through Made up some beans like in england they do The eggs had a good run, I guess we did too If I had known what to say, I’d have said it to you
7.
8.
Mama Tired 04:11
Beckoned by boredom’s yawn At the crack of every dawn I default to you by no fault of my own I wonder if I stare more at you, or the things I oughta do I truly wish that I knew life without a screen Remember when we used to read? when we remembered all our dreams I scroll to be sold my favorite nightmares But you’re the first light that I see And I crane my neck for thee I truly wish that I knew life without a screen I can feel my poor eyes tire If I ain't hooked then I am a liar I’ve never felt so close to so many yet so far away Where do our precious hours fly If our brains hurt we all know why Who can blame a body for not wanting to be alone Remember when we used to read? when we remembered all our dreams I scroll to be sold my favorite nightmares But you’re the first light that I see And I crane my neck for thee I truly wish that I knew life without a screen
9.
Days on end, endless fields in the sun Payday ends I might spend up some fun Played a die once too high, now I’m done Put me in the ditch and my family on the run I drive cattle down the bayous and draws My poor gals won’t know what befell their Pa My bones rest out of sight of the law And my heart’s up that muddy Ouachita
10.
Long Spring 01:58
It’ll be a long spring Autumn morning won’t bring The cold that we all crave That carried voices through the sting I can hear the frogs sing When snow it should be glistening A frost-kill line never happened in my time But I’m told that it's fine I can hear the tide roar A future’s all I’m hoping for The roots that I desire Must run deeper than fire You may never see the worst But my soul dwells where floodwalls burst It ain't about blame, it's about living in flames But I hope that you live all the same I just want to live
11.
If you ever lent me your coat I appreciate’cha If you ever kept me afloat I appreciate’cha If you were patient beyond your term And my habits made you squirm If your couch was warm and firm I appreciate’cha If you tolerated my noise I appreciate’cha If I was your awful employee I appreciate’cha If any solace can be found It's never long that I’m around You set ‘em up I’ll knock ‘em down I appreciate’cha Workers of the world I appreciate’cha For your poorly compensated toil I appreciate’cha If the coal you dug today keeps the lights on far away Overdrafted and underpaid I appreciate’cha Though you live on tabs and tips I appreciate’cha For this modern world we’re not equipped and I appreciate’cha If it aint just, it aint a law worth obeying for any of yall Turn us loose and let it fall I appreciate’cha You did your best when I was at my worst and I appreciate’cha You cared for me though I’m kinda cursed and I appreciate’cha Look that gift horse in the eye or be unbroken by and by Hang my hat and have a cry I appreciate’cha If this land is your land I appreciate’cha If abolition was your stand I appreciate’cha Kings and dollars, stars and bars, crosses, swastikas and tsars If you are skeptical of all I appreciate’cha If you’re doing your damned best I appreciate’cha If every new day is a test I appreciate’cha Doce do and do re mi, so far so good yet we’re far from free If you refuse to let it be If you don’t call the cops on me I appreciate’cha
12.
There once was land endless land Under starry skies above But they fenced it in Now its interstates and interchanges Monocrop and truckstops ‘Cause the fenced it in I wish that every golf course became a WMA And every politician knew the rent that we paid Just to drink ourselves to death And go to jobs that we hate Oh to be fenced in Turn us loose and let us rattle off our chains And lift the pain from all our faces And every hour on the clock or in a classroom Or a cell could not contain us I just don’t see any glory in industrial cattle And truckers’ bodies twist from a life in the saddle Is it freedom ringing in your ear or just a death rattle? You won’t fence us in I wish ancestral lands belonged to indigenous people And I didn’t have to live in fear of law from the steeple Does grievance make you strong? Or is it what makes you feeble? You won’t fence us in, though you might try You won’t fence us in, ain't you listening? You won’t fence us in
13.
Damned if you do, damned if you don’t Whooped if you will, whooped if you won’t Burnt out or burning at both ends Impending doom? It all depends You can’t win them all, but I hope you win a few Damned if you don’t, damned if you do I count on you, to count each minute apart I lean on you, when the lean hours start It ain't always what you do, sometimes it's what you do not I will try to remember, all the good times I forgot Damned if you do, damned if you don’t Whooped if you will, whooped if you won’t Burnt out or burning at both ends Impending doom? It all depends You can’t win them all, but I hope you win a few Damned if you don’t, damned if you do
14.
Bored of me, so bored oh why did I ever leave my home for the highway Call your mama call your bluff, call on me when things get rough I never meant to let you get so low, never meant to let you get so low Board it up, reach for the sky, some are worse but there truly aint no right way Fill your hand and try your luck, chaos reigns - embrace the suck I never meant to let you get so low, never meant to let you get so low

about

All Bad, the latest album from Nick Shoulders, ultimately encapsulates everything that makes Shoulders’ inimitable form of country music so vital: a heady balance of dazzling musicianship and punk defiance, coupled with gritty eccentricity and a generational connection to the roots of the genre. With a singing style inherited from his family’s vocal lineage, Nick’s songs achieve the rare feat of imparting difficult truths while inciting a certain joyful abandon, balancing a sound forged by years of hard travel with a heartfelt reverence for the origins of country music. In the spirit of Hazel Dickens and Jimmy Driftwood, the incisive yet wildly jubilant All Bad vocally objects to the reckless destruction of the natural landscape and development run rampant, while still offering plenty of joy and dance-ready rhythms. Spanning a variety of early country styles, the album’s infectious harmonies shine alongside everything from jangling cajun waltzes to surf-rock infused bluesy ballads–all tied together by a voice seemingly out of place in this century, yet ever ready to speak up about its problems.

Released via Gar Hole Records (a label founded and co-owned by Shoulders), All Bad marks the first LP made with his longtime band, the Okay Crawdad, since 2019’s premier full-length Okay, Crawdad and their subsequent pandemic-imposed hiatus. After writing most of the album from the front seat of a tour van, the Fayetteville, AR-based musician and bandmates Grant D’Aubin (harmonies/bass), Cheech Moosekian (drums) and Jack Studer (lead guitar) recorded the album in a home studio on the banks of the mississippi river with New Orleans collaborators Ross Farbe and Sam Doores.

Surrounded by a singing style passed down from a time before microphones, Nick’s childhood of bird call whistles and an over-exposure to southern gospel music eventually steered him toward an adolescence drumming for metal and punk bands, and subsequent years as an active illustrator and member of Arkansas’s heavy music scene. After numerous personal calamities and a growing obsession with the rural musical traditions of his lifelong home, Shoulders left the Ozarks and lived out of his van, singing on the street corners of the west while slowly being drawn to the vibrance of the New Orleans dance and busking world. After forming in early 2018, the ‘Okay Crawdad’ band flourished briefly in the wildly talented south Louisiana alt-country scene, culminating in the release of ‘Rather Low’ by the popular youtube channel Western AF, catapulting Nick’s songs to a vastly wider audience right as Covid-19 and lockdowns ensued. Since then, a rapid ascension into the world of touring music has seen Nick playing alongside the likes of Sierra Ferrell and at major festivals such as Stagecoach. With the hard rhythms and heavenly melodies of their newest release, All Bad, the band manages to concoct a body of work that is at turns sublimely freewheeling and profoundly illuminating, yet primed to permanently warp the listener’s perspective to glorious effect.

credits

released September 8, 2023

Recorded at Mashed Potato Studios in New Orleans, LA and at Homestead Recording in Fayetteville, Arkansaw
Gar Hole Records, 2023

Grant D’Aubin - Bass, Harmonies
Cheech Moosekian - Drums, Harmonies, and ‘Tit Fers on ‘Up the Ouachita’
Jack Studer - Lead Guitar
Nick Shoulders - Acoustic guitar, mouthbow, whistles and singing

Cover artwork by Nick Shoulders
Other photography by Joseph Wyman

Engineered by Ross Farbe
Co-engineered by Sam Doores and Eric Witthans
Mastered by Timothy Stollenwork at Stereophonic Recordings
“Toast First” written by Chris Acker
“Blue Endless Highway” written by Jim Cheatham
All other songs written by Nick Shoulders

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Nick Shoulders Fayetteville, Arkansas

Here to put the "Try" in country. Wielding a high yodel and whistle crafted from a lifetime chasing lizards through the Ozark hills, Nick combines his family's deep ties to southern traditional music with years singing to empty street corners to create this hybridized form of raucous country music: born of some dark holler and bred to be stomped into the New Orleans dancefloors it now calls home. ... more

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